Choose your Shopping Lane Below
Choose your Shopping Lane Below
$70.55 $83.00
A wonderful uranium glass console bowl in canary yellow with the vaseline glow under uv light. the center bowl has a rolled rim and sits upon a slightly raised pedestal base. Nice color, nice green glow throughout.
Condition: Overall Excellent, No Chips, No Cracks, No Repairs
Circa 1940s
Dimensions:
10" Diam, 3" H.
$54.40 $64.00
An outstanding Dugan Black Amethyst Purple carnival glass hat with a ruffle rim and an interior having the ten panel design, the outside remaining smooth. Displays well from all sides, has wonderful iridescent colors. Rare and beautiful bowl! Wonderful addition to any glass collection. Yours to enjoy for years to come!
Condition: Excellent hat bowl in that it is undamaged, no chips, no cracks, no repairs. I cannot detect any damage to this piece. Any non-perfections are from the firing/manufacturing process. *Note: there are a couple of very light water stain circles in the bottom interior which showed up under high resolution photos, I think they will clean up with a little glass cleaner or vinegar no problem.
Circa 1930s produced by Dugan Diamond Documented
Dimensions:
H: 3 1/4", Base: 2" , Rim: 5 1/4"
$35.70 $42.00
$35.70 $42.00
$67.15 $79.00
An amberina glass tumbler in inverted diamond optic pattern made by New England Glass Co with a nice cranberry top fading down into the yellow glass "amber" color. Polished pontil on the bottom.
Circa 1884
Measures:
3 3/4" T
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, normal inclusions for period of glass
Information Provided in Glass Tumblers 1860 to 1920 Book Page 160
$67.15 $79.00
An amberina glass tumbler in inverted diamond optic pattern made by New England Glass Co with a nice cranberry top fading down into the yellow glass "amber" color. Polished pontil on the bottom.
Circa 1884
Measures:
3 3/4" T
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, normal inclusions for period of glass
Information Provided in Glass Tumblers 1860 to 1920 Book Page 160
$155.55 $183.00
A wonderful Victorian period EAPG blue opalescent glass celery vase in the ribbed swirl pattern by AJ Beatty & Sons circa 1889, this piece was produced in Steubenville, OH before the merger into US Glass in 1891. The celery vase has wonderful color and a nice scalloped top.
$59.50 $70.00
Vintage Made for MIMI Exhausted Chicken Chop Plate Super Rare Plate in wonderful condition Orange / Amberina Color Well Made and hard to find Fenton Features the Farmyard Pattern on the front and Jeweled Heart on the back.
This is a rare plate and a wonderful find. According to Contemporary Carnival Glass Library and Archive the history is as follows: IN December of 1973, Mr. Charles Stone decided to start a glass distribution company. The company was called MIMI which was his wife's nickname. The company was based in Columbus, Ohio. Mr. Stone had a mold made that resembled the classic era Farmyard bowl by Dugan. The exterior pattern on this new piece was Jeweled Heart, the same as the original Farmyard. However, the bowl was clearly marked "MIMI" on the base. There were only 250 of these plates produced in this color. Mr. Charles Stone's venture into glass distribution was not long lived and MIMI closed in December 1975.
Dimensions:
Size: 11"
Condition: Overall Excellent No Chips, Cracks, or Repairs.
$358.70 $422.00
$119.00 $140.00
A beautiful antique Amberina Art Glass creamer with inverted dot pattern and a rich deep purple color at the top fading to a cranberry then into a deep amber with a matching amber reeded handle. The pontil is ground and polished.
Measures approx. 4"
Excellent Condition, No chips or cracks, some tiny trapped air bubbles in glass typical with early Victorian art glass and light wear to bottom and one side
$54.40 $64.00
A pretty Fenton carnival glass bowl in green with nice iridescent colors, having the stippled coin dot pattern and and scalloped rim. The bowl has a slight raised pedestal base. Nice, larger size.
Circa 1900s
Dimensions:
9" Diam. 3" Tall
Condition: Overall Excellent No Chips, Cracks, or Repairs Note at the seam on bottom tiny gap in the glass, original to making
$318.75 $375.00
A stunning Fenton carnival glass banana boat bowl in green with the thistle pattern on the interior and the waterlily and cattails pattern on the exterior. A beautiful colored bowl, we see a cobalt blue shine on the outside coming through particularly on the feet, with fantastic iridescent array of colors throughout. A massive sized bowl measuring over ten inches in length and weighing over three pounds.
Circa 1900-1915
Dimensions:
10 1/4" L, 7 1/4" W and 4 1/4" T
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$79.05 $93.00
A beautiful antique Fenton Carnival Glass compote in blue decorated with the Iris floral pattern and having a ruffled and scalloped rim. The compote has a really lovely iridescent color with pretty blue hues coming through the base.
$315.35 $371.00
An absolutely stunning Fenton carnival glass compote vase with Holly decoration in the very rare red and yellow amberina. The top and stem has the beautiful cherry red color extending down with flashes of the red coming through the yellow at the base. The colors and iridescence are simply gorgeous on this rare piece of glass, photographed in a variety of natural and LED lighting to show the color and true elegance of this wonderful piece of Fenton glass
Circa 1907-1915
Dimensions:
Approx. 4" T.
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$342.55 $403.00
An absolutely stunning Fenton carnival glass hat vase in the two sides up variation, made in the beautiful cherry red color and having the Holly branch decoration. The colors and iridescence are simply gorgeous on this rare piece of glass, photographed in a variety of natural and LED lighting to show the color and true elegance of this wonderful piece of Fenton glass
$75.65 $89.00
$119.00 $140.00
$62.90 $74.00
A beautiful Northwood amethyst bon bon dish with a weave basket exterior and double handles having the fruit and flowers pattern. The colors are gorgeous with great iridescence. The weaved basket has a nice square shape with the scalloped rim and the pedestal is marked with the Northwood emblem on bottom.
Circa 1907-1915
Dimensions:
Approx. 8" Wide Handle to Handle, 4" Tall
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$54.40 $64.00
A beautiful Northwood carnival glass bowl with a raised collar base in the Three Fruits Medallion pattern on the interior and the Grapes and Leaves pattern on the exterior. Executed in amethyst, the bowl has a really nice blue coming through with lovely iridescent array of colors throughout. Marked on bottom with the 'N'
Circa 1900s
Dimensions:
Size: 9" wide and 3" deep.
Condition: Overall Excellent No Chips, Cracks, or Repairs.
This piece is around 100 years old and is in excellent antique condition. No chips, cracks or repairs. This is antique carnival glass and may have old/straw marks, small bubbles, cinders and color variants of iridization are typical of all carnival glass and does not necessarily detract from the beauty or character of any piece.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
$315.35 $371.00
$102.85 $121.00
$119.00 $140.00
A lovely opal ware glass decorated pin dish in the Helmschied swirl pattern having raised enamel and painted flowers on both sides of the dish in purple and orange colors. The brass collar and matching pierced handles has flowers in each corner where they meet the dish. A beautiful trinket jar perfect for the vanity table or display.
$102.85 $121.00
$155.55 $183.00
A gorgeous Fenton carnival glass ruffled and fluted edged bowl with the heart and vine pattern in a beautiful amethyst color with shades of aqua coming through particularly at the center area and along the beaded edge, the purple is fantastic in this bowl lending toward a red tone with golds and greens throughout.
Circa 1910s
Dimensions:
Size: 8 1/2" Across
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
