Choose your Shopping Lane Below
Choose your Shopping Lane Below
$123.00
A pretty Victorian glass pickle castor jar with a silver plate top and finial shaped like a shell. The cranberry is in the inverted thumbprint pattern decorated with enamel painted yellow flowers and green leaves.
Circa 1880s
Measures:
6 1/2" T to finial
Condition: Overall EX, no chips, cracks or repairs, some tarnish wear to silver
$123.00
$140.00
A lovely opal ware glass decorated pin dish in the Helmschied swirl pattern having raised enamel and painted flowers on both sides of the dish in purple and orange colors. The brass collar and matching pierced handles has flowers in each corner where they meet the dish. A beautiful trinket jar perfect for the vanity table or display.
$123.00
$185.00
A gorgeous Fenton carnival glass ruffled and fluted edged bowl with the heart and vine pattern in a beautiful amethyst color with shades of aqua coming through particularly at the center area and along the beaded edge, the purple is fantastic in this bowl lending toward a red tone with golds and greens throughout.
Circa 1910s
Dimensions:
Size: 8 1/2" Across
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$142.00
A gorgeous Fenton carnival glass small bowl in the highly collectible Panther pattern having a double mold in the interior of the bowl with mirrored images of the stalking cat, the interior edge walls is further decorated with the hearts on the inside similar to the Hearts & Trees pattern and the Butterfly and Berry pattern on the exterior. The bowl has a ruffle rim with a beaded type pattern resting on three raised claw ball feet. Exquisite color and iridescence with the blue being light and bright, gold/orange/red tones with purple coming through on the panthers, simply beautiful!!!
Approximate Dimensions: 2 1/4" T., 5 3/8" Diam
Circa 1900-1910
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$426.00
$141.00
$142.00
Stunning and scarce Phoenix cased glass tumbler in cranberry pink with white interior and velvet cut in the diamond quilt pattern to show light hints of white through the pink. The tumbler has gorgeous color with the rich cranberry diamond pattern raised slightly and giving the whole glass a nice glossy finish, a rare piece in great condition!
Circa 1880s Phoenix Glass Co
Measures:
3 3/4" T
Condition: Overall EX, no chips, cracks or repairs
$46.00
$46.00
$122.00
Stunning and scarce Phoenix Glass Co cased glass creamer in cranberry pink with white interior and applied clear reeded handle. The creamer is further enhanced with the rare Drape pattern set in 10 panel form with a slight raised exterior. The color is gorgeous with a deep, rich pink at top evolving down into a light pink at the bottom and having a square opening with a bulbous body and round, narrow bottom.
Circa 1880s Phoenix Glass Co, black pencil like writing on bottom Jan 13th 1904..possibly indicating a time of gifting
Measures:
4" T
Condition: Overall VG, tiny nick on interior of rim at spout area (not on exterior or through the glass), could be a grind mark original to the making but calling it out as a defect all the same.
Flaws: Some pitting with inclusion on handle in center (can see the sand deposit) & a tiny spot on edge of rim near handle area with a missed glaze spot.
All have been highlighted in the last image for closer inspection and then following an individual closeup of the issues
Known as Wheeling Drape for years, this misnamed 10 panel form is only by Phoenix Glass, the pattern is rightfully Phoenix Drape. The Phoenix Glass Company was never officially part of Consolidated Lamp and Glass. This however has been the misconception. Phoenix was formed in 1880 in Monaca, Pennsylvania and produced some of the most beautiful and sought after glass of its time.
$119.00
A gorgeous Fenton carnival glass ruffle edge bowl with the dragon & lotus pattern in a lovely shade of marigold. Nice iridescent colors coming through, well defined pattern in excellent condition!
Circa 1910s
Dimensions:
Size: 8 3/4" Across x 2 1/4" High
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$119.00
A gorgeous Fenton carnival glass scalloped edge round bowl with the dragon & lotus pattern in a lovely shade of blue. This is a brighter and lighter shade than the often seen cobalt color leaning toward the electric blue tone. We can see a nice iridescent array of greens, purple, orange and yellows coming through from the bottom, a wonderful example of early Fenton!
Circa 1900-1910
Dimensions:
Size: 8" Across x 2 1/4" High
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$52.00
A Rubina glass tumbler with cranberry fading to clear from top to bottom in the polka dot pattern consisting in six rows. Produced by Hobbs Brockunier circa 1880s, this lovely tumbler has good color dispersion and is free from damage, with a tiny flat air bubble burst on the interior beneath the rim which was original to the making.
Circa 1880s
Measures:
3 13/16" tall (base 2 1/4". top 2 3/4").
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, a air bubble burst on the interior near rim, visible in photos
Information Provided in Glass Tumblers 1860 to 1920 Book and the _hobbs-brockunier-glass-identification-value-guide
$37.00
Offered is a lovely white opalescent ruffled bowl by Northwood Glass Co, consisting of four raised exterior vertical pillars and four panels with horizontal threading and optic diamond design. The flared and ruffled border incorporates the opalescent coloring against the clear form, a pretty piece free of damage.
The "Button Panels" pattern was first advertised by the Northwood Glass factory in 1899. It was also featured by the Dugan Glass Company and Coudersport Tile & Ornamental Glass Company between 1900 and 1904, where is was called "Shadow".
Measures:
7 1/2" Across and 3 3/8" Tall
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, No Damage
$43.00
A beautiful blue opalescent EAPG glass tumbler in the 'S Repeat' Pattern originally produced in 1904 by National Glass and then by Dugan and Northwood, it appears the blue color was introduced in 1909. The top is fire polished with an opalescent rim and the bottom is unfinished with a 30 point unequal star. Great, bright color!
Circa 1909
Measures:
3 3/4" T
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, No Damage
Information Provided in Glass Tumblers 1860 to 1920 Book
$52.00
A pretty Victorian satin cased glass rose bowl with shades from a rich pink at the top to light pink at the base and a white interior. Attributed to Mt. Washington, circa 1890. The bowl has a ruffled top consisting of eight ruffles, measures with the entire circumference of the bowl.
Circa 1880-1900
Measures:
4" T with a 3" opening
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, No Damage
$56.00
A beautiful Fenton marigold three footed rose bowl with scalloped rim in the orange tree and rose leaf pattern. The lovely bowl has bright coloring and is an early piece produced in the 1910s or 20s.
Circa 1912-1929
Dimensions:
Approx. 6" W., 4"T.
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$90.00
A beautiful Northwood cobalt blue bon bon dish with a weave basket exterior and double handles having the fruit and flowers pattern. The colors are gorgeous, the blue is bright and the iridescent greens, yellows, gold, pinks and purples coming through are fantastic in light. The weaved basket has a nice square shape with the scalloped rim and the pedestal is marked NW but is hard to see in the bright blue glass.
Circa 1907-1915
Dimensions:
Approx. 8" Wide Handle to Handle, 4" Tall
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$90.00
$113.00
$113.00
A wonderful example of Fenton glass black amethyst covered compote or candy dish in high pedestal form with the trailing daisy pattern. The colors are gorgeous and come through with purple, pink, green, yellow, and blue iridescent. bottom has the embossed Fenton mark and the interior bowl retains its original sticker, great condition, clean and ready for display or your favorite candies!
Dimensions:
Approx 8 1/2" tall with lid, 3.5" diameter base, 5.25" diameter opening,
Condition: Overall Excellent No Chips, Cracks, or Repairs.
$71.00
A beautiful Rubina Verde Vaseline Glass Tumbler with the inverted rib pattern. The glass as you can see in the photos has a rich pink rubina color that fades down to light lime green, the cup does glow under blacklight. The cranberry area is more on the satin side and not as see through as the bottom portion, the transition in the colors is seamless, a wonderful example of Victorian glass!
Circa 1880-1900
Measures:
4" T 2 3/4" W
Condition:
No Chips, Cracks, or Repairs, Overall Excellent, No Damage
