Choose your Shopping Lane Below
Choose your Shopping Lane Below
$426.00
$140.00
A highly detailed and expertly painted original watercolor on board by the northern Ohio artist and instructor Mr. Borys Buzkij. Mr. Buzkij is a member of the American Watercolor Society (AWS) and a founding member of the Ohio Watercolor Society (OWS,1971). His work has been a gallery fixture in Ohio for many years and is also featured in galleries from Texas to South Carolina. His original training was received at the Cooper Union School of Art and followed by training at the Cleveland Institute of Art. This original watercolor painting depicts a homestead in the distance amongst a yellow meadow field with a shoreline and canoes near near the front. Exceptionally detailed and meticulously painted original work. The colors and attention to detail are superior in this excellent example of Mr. Buzkij's style. It is artist signed "Borys Buzkij lower left.
$123.00
A pretty Victorian glass pickle castor jar with a silver plate top and finial shaped like a shell. The cranberry is in the inverted thumbprint pattern decorated with enamel painted yellow flowers and green leaves.
Circa 1880s
Measures:
6 1/2" T to finial
Condition: Overall EX, no chips, cracks or repairs, some tarnish wear to silver
$123.00
$90.00
A beautiful Bohemian glass crystal stemware wine glass in a cut to clear cobalt blue multifaceted design of circles and flower petals, when looking down into the cup resembles a floral bloom. The stem is cut with a sawtooth type pattern reaching the base which is also cut into a pattern. A wonderful example of Bohemian craftsmanship!
Measures:
7" T
2 7/8" Wide at top
3 1/8" base
Condition: Overall EX with NO Chips, Breaks or Repairs
$565.00
A beautiful Bohemian glass tumbler/goblet cup in cyan or azure blue with a white opaline overlay and gold flecks throughout the opaline. the rim is a matching gold with the blue coming through in cut circles. The footed bottom is carved with a square design and cut sawtooth type further having a star carved on the bottom. A stunning example in wonderful condition!
Circa 1840-1880
Measures:
4 1/4" T (10.8 cm)
Condition: Overall EX with NO Chips, Breaks or Repairs, light wear to gold rim
$280.00
A beautiful Bohemian glass tumbler/goblet cup in deep cobalt cut to clear with circular designs. The base is wide with cut grooves surrounding and then tapering up and opening into the cup. A wonderful example of early European glass in wonderful condition!!
Circa 1840-1880
Measures:
5" T
Condition: Overall EX with NO Chips, Breaks or Repairs
$140.00
A lovely opal ware glass decorated pin dish in the Helmschied swirl pattern having raised enamel and painted flowers on both sides of the dish in purple and orange colors. The brass collar and matching pierced handles has flowers in each corner where they meet the dish. A beautiful trinket jar perfect for the vanity table or display.
$123.00
$330.00
A beautiful mid 19th century Bohemian glass decanter with opaque white enamel cut to clear in punty circle shapes and leaf type designs. The decanter has a polished base with a cut star and a matching polished stopper. The neck is the more rare version seldom seen having a scalloped cut design and double spout mouth, a wonderful early piece of European Art Glass!!!
Circa 1850-1880
Measures:
12" T
Condition: Overall EX, no chips, cracks or repairs
$185.00
A gorgeous Fenton carnival glass ruffled and fluted edged bowl with the heart and vine pattern in a beautiful amethyst color with shades of aqua coming through particularly at the center area and along the beaded edge, the purple is fantastic in this bowl lending toward a red tone with golds and greens throughout.
Circa 1910s
Dimensions:
Size: 8 1/2" Across
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$303.00
A wonderful large antique continental porcelain hand painted serving tray decorated with Dresden painted flowers and gold trim, also has a calligraphy on the interior in gold reading "Juli", (July) 1862-1912, made for someone's 50th anniversary. The tray is divided into three sections with a handle in the center perfect for serving Hors d'oeuvre's.
$850.00
open socket head in the rare mold '12' and having brown sleepy eyes with an open mouth showing upper teeth. She has exquisite painted details with rosy cheeks against a peachy cream complexion, painted eyelashes and eyebrows and painted lips. She is on a composition jointed body with a "mama" voice box built in which still works fine, you pull the side strings and the dolls says "mama". She has a vintage replacement blonde wig and is wearing a vintage pink dress with matching hat.
$142.00
A gorgeous Fenton carnival glass small bowl in the highly collectible Panther pattern having a double mold in the interior of the bowl with mirrored images of the stalking cat, the interior edge walls is further decorated with the hearts on the inside similar to the Hearts & Trees pattern and the Butterfly and Berry pattern on the exterior. The bowl has a ruffle rim with a beaded type pattern resting on three raised claw ball feet. Exquisite color and iridescence with the blue being light and bright, gold/orange/red tones with purple coming through on the panthers, simply beautiful!!!
Approximate Dimensions: 2 1/4" T., 5 3/8" Diam
Circa 1900-1910
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$426.00
$141.00
$142.00
Stunning and scarce Phoenix cased glass tumbler in cranberry pink with white interior and velvet cut in the diamond quilt pattern to show light hints of white through the pink. The tumbler has gorgeous color with the rich cranberry diamond pattern raised slightly and giving the whole glass a nice glossy finish, a rare piece in great condition!
Circa 1880s Phoenix Glass Co
Measures:
3 3/4" T
Condition: Overall EX, no chips, cracks or repairs
$46.00
$46.00
$122.00
Stunning and scarce Phoenix Glass Co cased glass creamer in cranberry pink with white interior and applied clear reeded handle. The creamer is further enhanced with the rare Drape pattern set in 10 panel form with a slight raised exterior. The color is gorgeous with a deep, rich pink at top evolving down into a light pink at the bottom and having a square opening with a bulbous body and round, narrow bottom.
Circa 1880s Phoenix Glass Co, black pencil like writing on bottom Jan 13th 1904..possibly indicating a time of gifting
Measures:
4" T
Condition: Overall VG, tiny nick on interior of rim at spout area (not on exterior or through the glass), could be a grind mark original to the making but calling it out as a defect all the same.
Flaws: Some pitting with inclusion on handle in center (can see the sand deposit) & a tiny spot on edge of rim near handle area with a missed glaze spot.
All have been highlighted in the last image for closer inspection and then following an individual closeup of the issues
Known as Wheeling Drape for years, this misnamed 10 panel form is only by Phoenix Glass, the pattern is rightfully Phoenix Drape. The Phoenix Glass Company was never officially part of Consolidated Lamp and Glass. This however has been the misconception. Phoenix was formed in 1880 in Monaca, Pennsylvania and produced some of the most beautiful and sought after glass of its time.
$65.00
A beautiful half doll in a pink blouse with hair fashioned like Marie Antoinette, she has porcelain legs with gold painted shoes attached at a porcelain seated base. One arm rests on her hip and the other to her head as she looks like she is in full dance pose. She wears an antique silk skirt
$119.00
A gorgeous Fenton carnival glass ruffle edge bowl with the dragon & lotus pattern in a lovely shade of marigold. Nice iridescent colors coming through, well defined pattern in excellent condition!
Circa 1910s
Dimensions:
Size: 8 3/4" Across x 2 1/4" High
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$119.00
A gorgeous Fenton carnival glass scalloped edge round bowl with the dragon & lotus pattern in a lovely shade of blue. This is a brighter and lighter shade than the often seen cobalt color leaning toward the electric blue tone. We can see a nice iridescent array of greens, purple, orange and yellows coming through from the bottom, a wonderful example of early Fenton!
Circa 1900-1910
Dimensions:
Size: 8" Across x 2 1/4" High
Condition: Overall Excellent No Chips, Cracks, or Repairs.
Condition can be Very Subjective to each individual collector - Multiple photos from different angles and in different lighting were taken to showcase the beauty and uniqueness of this piece. Please look at photos carefully as they are part of my description.
CARNIVAL GLASS is the term referring to IRIDIZED patterned pressed glass introduced in the 1900s by FENTON and subsequently made by an array of other glass makers. The process involved a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt, or combination of salts produced a different color with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION means that while a listed item has no post-production damage such as chips or cracks, it may have discernible minor wear from usage and/or nesting (stacking) and, since production conditions in the early 1900s were dirty and dangerous and there was no "Quality Control" as we now know it, any number of the following production issues:
AIR BUBBLES in the glass that were not squeezed out during pressing.
HEAT CHECKS which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
INCLUSIONS in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
STRANDS of undissolved colorant (usually in green glass).
STRAW MARKS which are lines in the glass caused by premature solidification where the molten glass was snipped from the gathering rod with cool metal shears when the mold was full; lines also formed on the surface during the cooling process.
TOOL MARKS from implements used to form the edge or influence the shape.
MOLD ISSUES related to filling and release such as incomplete or malformed edges, rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
COOLING ISSUES such as uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as "damage" and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed.
$427.00
Early hand painted tintype full plate photograph portrait of a young girl seated in a black painted Windsor Chair. She holds a thoughtful gaze with striking features, her black hair is parted in the center and she wears a petty polka dot blue dress with lace pinafores and striped stockings. To her right is table draped with a colorful cloth, a very well executed and painted tintype image in the Folk Art style circa 1860-70. Housed in an oval gold painted wood frame.
